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Copy 113/128 ]]> Jim Heynen]]> Vivarium]]> Midnight Paper Sales]]> Gaylord Schanilec, Ben Verhoeven]]> ]]> ]]>
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Copy 3/25 ]]> C. David Thomas]]> Vivarium]]> ]]> 20 x 18 x 7 cm.
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Copy 13/20]]> Lyall Forsyth Harris]]> Vivarium]]> ]]> ]]>
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Copy 8/25 ]]> Harriet Bart]]> Vivarium]]> Philip Gallo, Jill Jevne, Italo Calvino, Mnemonic Press, Hermetic Press]]> ]]> ]]>
]]> Tie One On! traces the history of the apron from a solely functional clothing item to a fashion piece.

Copy 12/20]]> Maryann J. Riker]]> Vivarium]]> JUSTARIP Press]]> ]]> ]]>
]]> Dick and Jane textbooks that were popular in the 1940s and 50s. Those textbooks made white upper-middle-class suburbanites seem like the “typical” American family. In response, Sligh inserts pictures of children from her old neighborhood.]]> Clarissa T. Sligh]]> Vivarium]]> ]]> Letterpress printed in Park Ave Script lead type in the Welle Book Arts Studio at the College of Saint Benedict. Handbound in a Coptic stitch dos-a-dos format (both covers serve as front covers). One mat board cover includes pieces of handmade paper, and the other has singed edges.

Copies 1-2/3

[Not in the Clemens Collection]

Artist Statement

I wanted to write poems that highlight the importance of books. One poem, “Blooming Books" argues for the importance of books, while the other poem, “Burning Blooming Books” explains the destructive and ill-advised activity of burning books. A quote from the German poet Heinrich Heine is the epigraph in “Burning Blooming Books.” The beauty of this book is that the poems and structure were made simultaneously.

- Kathryn Schug CSB ‘25 ]]> Kathryn Schug (CSB '25)]]> ]]> Centering, Inward focuses on dense language culminating in the center, whereas Outward, Return culminates on the outer rim with “doing and making.”]]> Regula Russelle]]> Vivarium]]> ]]> ]]> The Water Department contains nineteen personal memories that involve tears, both happy and sad. Seventeen containers have handbound accordion-style short stories, and three display text on a single circle. The photographs were printed on an inkjet printer with words printed on an 1887 Pearl Platen Press from polymer plates.

]]> Gail Watson]]> CSB Clemens Artists' Books N7433.4.W38 W3 2008 ]]> Images for educational purposes only. Users must seek permission from copyright holder for any other use. Digital representations created by the College of Saint Benedict/Saint John's University.]]> ]]>
]]> Johanna Drucker]]> WorldCat]]>